| THE
DEVIL'S SMELLY BROTHER
Adapted from the fairy tale
by the Brothers Grimm |
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| 1.1
Double Panel
In the forest, a man in a disheveled, well-worn military uniform has obviously been walking for a long time. He's a good-looking guy under the three-day growth, the mussed hair and the beat-up uniform. But he's definitely low in spirits. He carris a knapsack over one shoulder (that'll be mportant later). He meets a little man, not a dwarf or a midget, just a short, old man with a long beard. We don't know it yet, but the little man is the Devil. TITLE: CAPTION
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Hello, Friend! Why so glum?
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| 1.2
Close on the face of the little man. He smiles a scary smile. We can see into his eyes and in his pupils -- hellfire flames. The rest of his eyes are frighteningly bloodshot. When we see him from this close, he's unmistakably Satanic. He is looking upward, at the soldier, so our angle on him is looking down somewhat. CAPTION
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Why not come work for me! I'll see that you're taken care of for the rest of your life! |
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| 1.3
The two men walk off -- we see them from behind, walking away from us. The Devil puts a paternal arm on the soldier's back (though he can't reach very high up on his back), looking up at him as he speaks. |
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| 1.4
Double Panel
A wide shot of Hell. This depiction of hell is not especially unconventional. It's a dark, gloomy cavelike place with lots of flames. The main thing is, there are dozens of large kettles, each with a heavy lid and each boiling over a raging fire. Some ofthe kettles are nearly boiling over with water bubbling from under the lids. In a couple of kettles, in the background so they're too prominent, human arms and legs are visible sticking out from under the lids. The Devil and the soldier stand there at frame right. The Devil is very matter- of-fact, explaining the working conditions. The soldier seems unmoved by this spectacle. CAPTION
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| SOLDIER | ||||||||||
| No sweat. | ||||||||||
| 1.5
They stand next toone of the bubbling kettles. The soldier has a long rod in his hand to stoke the flames. but he listens as the devil, pointing a threatening finger, delivers a stern warning. |
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| 1.6
A bit later. The soldier, who is just starting to let his beard grow and looks in general very filthy -- is letting curiosity get the better of him. He looks around as if checking to see if anyone's watching as he cautiously lifts one of the lids. CAPTION
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| 1.7
Looking down intothekettle from just above the soldier, who peers down with astonishment. Inside the kettle, looking up in an expression that's amask of tortured agony, a man in a military unifirm. We can see sergeant's stripes on the sleeves. CAPTION
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| 2.1
With the lid half off, the sergeant pokes his head and hand up out of the water -- screaming in incredible agony. The reason: the soldier, with revenge-driven glee, shovels more coals onto the fire beneath the pot. The flames lick up around the outside of the kettle, growing higher as the soldier shovels. CAPTION
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| SOUND
EFFECTS: |
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| 2.2
He's pulling back the lid in another pot. In this one, a sophisticated looking man -- or at least he would have been sophisticated if her were still alive -- with a mustache and a lieutenant's uniform. Of course, he's suffering the tortures of the damned as well. The soldier is, once again, delighted to see him. CAPTION
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| 2.3
Another scene of the soldier shoveling more coals on to the flames under the lieutenant. |
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| 2.4
Double Panel
Seven years later, The little old man -- the Devil -- has returned to hell. By this time, the soldier is a horrifying sight. His hair and beard and nails and long and gnarly. He is covered with dirt. His eyes are toally bloodshot. He stinks (a we can see by the smell-lines that emanate from his filthy body). He stands in the extreme foreground, to the left of the panel. The Devil is a few yards behind him, to his left (panel right). The hellfires burn around the endless array of kettles. CAPTION
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| 2.5
Closer on the Devil. |
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No need. Because you restoked the fires, I'm willing to spare your life. Now, would you like your reward? |
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| 2.6
With a sour expression on his dirty, hairy, bleary-eyed face, the soldier trudges back through the same forest where we first met him. The Devil's voice is the narration, and we see his little head in the upper left hand corner of the panel, to show that he's the one talking. The soldier carries a knapsack over his shoulder. CAPTION
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| 2.7
The soldier has spilled the dirt out of his knapsack. He's amazed. It glitters. Because it's gold. CAPTION
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| SOLDIER | ||||||||||
| GOLD!! | ||||||||||
| 2.8
The soldier -- horrifying sight that he is -- comes to an inn in a city. Outside the inn, the innkeeper recoils from him in revulsion. Not only is he a horrifying sight, but he stinks. CAPTION
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| SOLDIER | ||||||||||
| FROM HELL!! | ||||||||||
| 3.1
Close, head-on shot of the soldier in all his stinking, scary glory. he defintely has a youch of the demoniacal about him. But who wouldn't after seven years in hell? CAPTION
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| 3.2
Double Panel
In a hotel room inside the inn. The soldier sleeps on a realtively luxurious bed. The room is dim. The knapsack full of god is on the floor. The innkeeper sneaks in, crouching and reaching, to steal it. CAPTION 1
CAPTION 2
3.3
CAPTION
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First, I'll clean you up. Then you go back and tell that innkeeper to give you back the gold... |
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| 3.4
Close on the devil's face as he cuts and cleans. He's got that same Satanic look that we saw in panel 1.2. |
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...or else he'll have to deal with ME!! |
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| 3.5
Back at the inn. The soldier is all cleaned up now, but he definitely has a somewhat psychotic, evil glare. He stares down the innkeper as the innkeeper hands him back his knapsack, cowering in fear. CAPTION
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| 3.6
The soldier looks a lot better now. He's no longer wearing his uniform. Instead, he wears a clean pair of overalls. And he plays a flute and dances a little jig. He's out in a field, but observing him is a king in a royal carriage. The king is amazed and delighted. Musical notes float through the air, from the flute. CAPTION 1
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| KING | |||||||||
| Marvelous! | |||||||||
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3.7 Double Panel
CAPTION 1
CAPTION 2
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| END | |||||||||